![]() The trolley is enriched with black chain or interwoven chain and it also available in gray. One of the highlight might be the Chanel quilted black trolley it’s a small sized luggage bag that can be used as a carry-on. ![]() Let’s go get some groceries is your credit card ready because I don’t think they accept cash. What can you find more at the Chanel supermarket? Candy Clutches, Chanel Boy Flap Bags in Interwoven-chain-link inspired small basket or Lait de Coco Clutch (a milk bottle clutch bag). It’s truly remarkable the Chanel Classic Flap Bag in dark brown and wrapped around a transparent foil, the green sticker reads: 100% Agneau. It’s something that no one in the fashion world has ever done. The Fall Winter 2014 Collection was presented in an unexpected way Karl Lagerfeld envisioned his own giant Chanel Supermarket. And it makes you wonder: ‘how does that cupcake taste?’. It’s like giving you the most delicious cupcake and then hiding one behind a glass wall you can see it, but can’t touch it. And just at the same time that CHANEL has released their Spring Summer 2014 Collection (What we all have been waiting for, so long!), the Fall Winter 2014 Bag Collection have been partly revealed. In a Paris spring show season where that approach has been sadly all but absent, it was a welcome move.Okay, I am going to say it: ‘I hate previews and trailers’, they are all teasers. Better yet, just to show how much she wants to really engage with the women who wear her clothes, she chose to embrace the diversity of female beauty by showing this collection on a whole variety of body types. Viard didn’t do that, but she certainly delivered an effortless and optimistic vision of Chanel, past and present, blending it into one gorgeous, timeless today. Burn your best yesterdays, she says, so you can start over. Unlike the script for Marienbad, Stewart offers a more direct response when she’s asked about how she stays hopeful for the future. From what she told Vogue in an interview years ago, it was clear fashion matters most to her when it speaks to who she really is and comes stripped of artifice and affectation. It’s easy to understand why Viard is so entranced by Stewart she wears everything with the most laid-back, offhand, unaffected ease. Stewart leaves a movie theater, wanders the streets of Paris, ascends the famous Rue Cambon Chanel staircase, takes the metro, all the while dressed in the spring collection, including one stunner of a long, sequined rose gold dress. Viard had asked Inez and Vinoodh to shoot in Paris a short movie with Kristen Stewart, a kind of homage to Marienbad, as an opener for the show. Resnais’s classic wasn’t the only cinematic moment here. There were the tweeds, sparkly or ribbon embroidered or adorned with ostrich feathers the chicest suits, cardigan jackets, and short coatdresses that looked as though they magically weighed next to nothing boyish knits and teeny tap shorts and exquisite evening dresses without an iota of fuss. Light, nuanced, and with a palpable sense of the here and now, it was Chanel replete with every element and fragment of the house. What most definitely doesn’t need decoding, however: As Chanel’s Virginie Viard looked at the movie while she was designing spring, it led her to create one exceptionally beautiful collection. Still, female lead Delphine Seyrig looks utterly fabulous as she exists in this semi-somnambulistic state, thanks to some of her costumes having been designed by Coco Chanel. ![]() They move through a black and white dreamscape of ornate gardens and grand staircases, where time seems to have no meaning and words don’t seem to matter a whole lot either only the occasional gnomic statement is ever uttered (as far as I remember it’s been a minute since I’ve seen it). The nouvelle vague classic features a couple who may (or may not) know each other, and who may (or may not) have been in some kind of relationship with each other. Many have tried to decode director Alain Resnais’s beguiling/perplexing 1961 movie, L’Année Dernière à Marienbad.
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